And, it's fantastic to seem his try to act like an android acting like a human. It is one of the few comedies I have seen him in. In particular, this is a great demonstration of Malkovich's talents. It is a sweet movie, as Seidleman's movie often are, mostly because all the actors (and their respective characters) work so well together. ![]() But Ullyseus wants to know what true love is all about (and Stone wants to know if such a thing is even possible). ![]() And, ironically, he gains more human emotion than his identical creator, Jeff Peters, who gradually sinks into something more like an emotionless, android state. To Peter's dismay, Stone's quality time with Ullyseus (so she can figure out a successful advertising campaign) starts to make the android more human. A scientist and an identical, eager android is already destined for great laughs as the situations lead to a few wild misunderstandings. She has taken on a new project to help find the proper advertising angle for a new creation that is going to change the future-an android named Ullyseus (Malkovich), designed by a seriously detached scientist named Jeff Peters (also Malkovich). Ann Magnuson is Frankie Stone, a woman who works in high class advertising. Once again, Seidleman has directed another great romantic comedy with a terrific cast. They were part of what made her movies so interesting. Plus, I love Seidleman's style, with such goofy situations always set in beautiful atmospheres with bright, art deco settings and neo/retro (60s with an 80s modification) wardrobe for both female and male characters. Right is one of director Susan Seidleman's funniest movies, perhaps even funnier than Desperately Seeking Susan. Malkovich is often seen onscreen with himself in this movie, but I never noticed any seams or glitches, and I was also quietly grateful to Seidelman for not providing any moments that were intended merely to exploit the trick.Making Mr. Right," we see a theater marquee in the background advertising " The Parent Trap." That was, of course, the movie where Hayley Mills played twins, thanks to trick photography. You may remember him as the smarmy, sweating porno store operator in " 52 Pick-Up." The distance between these two good performances is impressive.Īt one point in "Making Mr. Seidelman also has fun populating the outskirts of her plot with good character actors, especially Robert Trebor as the tuxedo salesman. It makes all the difference in the world. Right," there are scenes where the scientist and the android are mistaken for one another, and Seidelman uses the misunderstandings to make comic points about the personalities of her characters: They make wrong assumptions because of who they are, instead of because of how stupid they are. ![]() "Secret" has lots of moments when characters don't realize exactly who they're talking to, and it creates those moments out of the stupidity of the characters. Seeing the two movies in the same week is instructive because they take such different approaches to the challenge of identity. With this film, she hits her stride as a comedy director who would rather be clever than obvious, who allows good actors such as Malkovich to go for quiet effects rather than broad, dumb cliches.Īlso around right now is " The Secret of My Success," another comedy depending on dual and mistaken identities. Right" was directed by Susan Seidelman, whose previous credits are "Smithereens," which I didn't much like, and " Desperately Seeking Susan," which was much more assured. ![]() She has an instantly combative relationship with the scientist who invented the android, and it's made trickier because as the android grows more human, the scientist subtly grows more robotic. Magnuson is fun, too, with her high heels and designer outfits, clipboards and speculative looks. Like Jeff Bridges in " Starman," he's able to meet the tricky challenge of moving in an uncoordinated way without looking merely ridiculous. Malkovich provides just the right amount of inept clumsiness for the android, which sometimes has trouble getting its mind-body coordination in line. That's true, for example, during the sweet, tentative moments when the android begins to fall for the woman.
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